"The only important thing is to
- A chat with Gheorge Chiper
The 2004/05 season was a good one
for Gheorghe. He became the Romanian champion for the
7th straight time, and things were finally coming together.
Gheorghe: Test 1-2, 1-2
Does it work? :)
How did you start skating?
Gheorghe: We had skating in the family so it felt natural for me to start too.
What were the circumstances like then?
Gheorghe: When I see children skate today, I remember how it was when I was young. It was different and more difficult. We practiced every morning before school. We had no other option as no other time was available. But if you want to better your results and reach your goals, this is the time to start thinking about changes. You cannot reach the top ten at Europeans with practices only at 6 in the morning. This is still the problem with skating in Romania. We don’t have many skaters, and there is little motivation for the coaches. They see no reason to coach children when there’s so little ice time, and as you can see, the junior skaters are few – only a few skaters are still in the country.
You have trained at summer camps under Mishin in
Jaca (Spain) and also in Flims (Switzerland) with Kudriavtsev.
What is the difference between their styles?
Gheorghe: I didn’t spent so much time in Flims, only a few days, but I was in Jaca about 3 weeks. I had been working with Mishin for a while, but you have to make choices and take advantage of what is made available to you. People say that Mishin and Kudriavtsev are very different in their work, but for me one doesn’t rule out the other. You have to choose what is best for you - both from Mishin and from Kudriavtsev; you have to find a balance. There isn't too much training in the summer – only maybe a month out of the 12 in a year! The main practice is at home, whereas in the summer you get only ideas and technical help. I don’t think it's a problem that I work with Kudriavtsev, or with Mishin, or with any other coach. If something useful is offered to me, I’ll take it.
Do you like the Russian style?
Gheorghe: Yes, but I don’t want to follow any one style. I want to do a better job myself. Things have to grow and it's not important where the ideas originate from, or from where the help comes. The only important thing is to improve. Russian style or American, French or Italian - it doesn’t matter.
Does it make a big difference living and training
Gheorghe: It’s safe to say that the life I live in Switzerland and the life I lived in Romania differ greatly. In Romania, I went to school and then to the University. In Switzerland I don’t study, I work and I have my family. The lifestyle is very different, you cannot even compare it! In Switzerland there are more opportunities, better rinks, better ice… everything is better! But of course everything depends on how you use your opportunities. Even with less opportunity you can get good results, just like you could have all the opportunities in the world be useless if you didn't make the most of them.
I work with professional people, so all my costs are higher, which is tough. In Romania it would be cheaper, but it comes back to the skater deciding what goals he wants to reach in life. If you want to reach higher, you have to accept that it will be harder - you will need more money and it will take more time.
Do you feel lucky to live and
train in Switzerland?
What is your connection with the Swiss skaters?
Gheorghe: I meet the coaches frequently when I go with the children to competitions. When we meet we always talk. Sometimes we practice in the same rink, like with Sarah Meier and with some other German-speaking Swiss (not with the French-speaking Swiss as they live in another part of the country). We have a good relationship.
You are coached by your wife Sandra. How does it
work to have her as a coach at the rink, and as a wife at
Gheorghe: It’s not so easy. It can be difficult to set the boundaries between coach and wife. But this is our situation, we are a family. It has worked well so far and it keeps getting better and better.
What are the advantages and disadvantages?
Gheorghe: Hmm... If something goes bad it’s hard to say “Ok, that’s it, I’m going home! I don’t want to see my coach for a while, and I will forget everything!” It is different with a coach you only meet on the ice. If he says,” let's do this or that”, I can easily answer: "Ok". But Sandra and I are together the whole day, and we talk and think, do this and this... of course sometimes we argue, but again, this is our situation. And there are good things too. We know each other very well, and when she tells me, in practice or competition, that something wasn’t so good, it’s no big deal because we know this result is ok for me - we’ll go on and things will get better. Sandra’s a very good psychologist and gives me great support. I cannot imagine working permanently with another coach when we work so well together.
Sandra is also your choreographer. What is your input
in the choreography of programs?
Gheorghe: Sandra chooses the music – and usually I don’t like it... “No, no, that’s not a good idea!” Some days or weeks later I realize that it isn’t such a bad idea. So we start working on it, and again “No, no, it’s a very bad idea”. This can continue for a while. Making a program is a very slow process for me. * laughs* I’m too critical because I’m a perfectionist. Usually, she will outline a piece with the basics, and from there she can put in new elements and sometimes take them out again. It all depends on the jumps - if I do them well or not. Normally, you work 1-2 months with the moves and then comes the choreographer and says: “It is not good, throw it out and put a new element in!” and there’s a lot of debating back and forth. So this is another advantage that my wife is my choreographer as well as coach. She always sees what’s good and bad, and whether a mistake is a permanent one or only something temporary. If you work with a choreographer for only 2-3 weeks, and then don’t see him/her for a month, and then you work together again for maybe a week, you can’t expect so much. Our work is constant and continuous. My programs get better and better, competition for competition, not only technically, but we make changes in the choreography too. We change the music, edited it, we take out and put in moves, and we always analyze - if something is bad we change it. A program is a process and we talk about everything. If I have an idea I always tell her, and we think about whether we can use it or not. If we can she tries to fit it in somewhere.
Do you make the changes during
Placing 8th is your best result at any Europeans.
Are you satisfied?
Gheorghe: You can always expect more, but you can expect less too. Now we have the new judging system and that’s why it was more difficult. For example, it’s harder to see where exactly you stand. It’s very easy to lose places, and harder to advance. For me skating well and presenting a good program is more important than my final placement. That only comes second.
Do you feel you skated your programs well?
Gheorghe: Yes, I think so. Everybody made mistakes so it was up to me to make fewer mistakes than the others, right? I made two mistakes in my short program. These shouldn’t have been there, but overall I am satisfied with my performances.
How much does the audience affect you? Is it important
that they enjoy the programs? Are you aware of the audience?
Gheorghe: If they are clapping from the first minute it isn’t too interesting, I think.
If you just skate along in the same tempo, and the audience has to clap continuously – hmm... I don't think it’s a good program. Usually when the audience claps for you, it’s easier to skate, you feel better on the ice, but in the first moments it’s important to concentrate on what you’re doing. Perhaps the audience will like you, perhaps not. If they like it, it’s a great feeling, but if not – ok, and that’s that! I think it’s more important for a skater to be satisfied with himself. If the audience likes it too, that’s a bonus. At Europeans nobody asks: “Hey, who was the most popular?” but they do ask: “Who won the Championship?”
In eligible skating it’s only important to win the competition. And you win with or without the approval of the audience. If you’re a professional skater the audience must love what you do on the ice since your job depends on it. I think perhaps a compromise would be the best. When the audience likes you and you feel satisfied, that is the best!
Especially if you win...
Gheorghe: Well, you don't have to win, you can place 8th and still be satisfied! * smiles*