Lina Johansson - back in business
Text and photos © EMJO
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On a rainy Tuesday I went on a mission with my beloved and almost worn out camera and Magdalenas taperecorder, which I call Thing (as in the Addams Family; it talks back after you recorded something and your voice comes out weird). The mission? To interview and take pictures of Lina Johansson. The thought was to do the photoshoot outside, but the weather disaggreed, so we had a nice chat in her kitchen instead and naturally a photoshoot in Lina’s room. Of course Lina is her sweet old self, chatting, giggling and posing. |
Europeans are coming up and Lina is ready
to compete again although the road’s been long. She
missed most of last season because of injuries and didn’t
do as well as she’d hoped at Nationals a few weeks ago.
Yet she’s optimistic and brings an update on her training,
programs and life in general.
How much were you able train after the injuries?
Well, the first injury was to my right foot and I wasn’t
allowed to jump at all. But I could still skate and practice
some steps, spins and spirals. Then I started jumping, and
when I had all the jumps again I broke my other foot. That
was last September and I was totally off the ice for two months.
Then it was like starting from square one, even single jumps
were hard! Once I mastered the doubles I took on triple Sal
and loop. The flip and Lutz came back later.
What about the Axel?
I broke my left foot so it was hard to take off on the Axel.
My ankle was too weak so I worked with a physical therapist
to strengthen it. I worked a lot on a small trampoline and
a wobble board. And at home I spent hours doing toe raises
on the stairs.
Sounds like a lot of fun…
What did your days look like? |
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You also lost almost 10 kilos;
can you give us some tips? We’re sure glad you’re doing better!
You’ve also been training in Moscow with Viktor
Kudriavtsev. |
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Describe a session with Viktor!
The rink is real close to where we stay and we usually don’t
get started until about 9.30 am, so we get to sleep in every
day! We warm up; do some steps and then work on our programs.
The sessions last an hour fifteen minutes at the most.
How does it feel to be back in competition?
It feels great actually. It’s good to be back in the
routine, I’ve really missed it! And things have gone
ok so far. Of course I wanted to do better, but I try not
to think so much about how I place. How I performed is more
important and how I can improve. So far I haven’t really
been able to show in competition what I’m capable of
doing.
What competitions will you skate in this season?
Europeans is first and then the Nordics in Finland in February.
The outcome there will decide if I get to go to Worlds.
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At what point do you start getting
hyped about a competition? |
Tell us about your dresses!
It’s like this, when the music for my programs is picked
out we send it to my Czech seamstress along with some color
suggestions. She may or may not agree and she sends some drawings
of what she has in mind. We discuss it and then she starts
on something and sends it to me. I try it on and send it back
to her so she can finish it. She’s working on a dress
for my short program right now; I hope I get it before Europeans!
What does it look
like? Show me! Where’s the drawing? So the “Lina dress mysteries” won’t
be solved until we see you on the television screen
from Warsaw! But why replace the blue dress? |
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And how many pairs of boots do you go through?
I just got new ones. I normally don’t switch in mid
season, but they get too soft after a while and I don’t
want that for Worlds, if I’m going. I’ll continue
getting two new pairs per season, that way I know I’ll
have good, stable boots the entire season.
You also have new programs this season.
Yes, my coach found the music to the short (Lord of the dance).
She says we used it in practice at some ISU camp in Finland,
we did steps or something to it but I don’t remember
that. Anyway, I’m used to skating to slow or classical
music, and the more I listened to this piece the more I liked
it. I wanted to try something Spanish, but it doesn’t
really suit my style, or rather I can’t bring out me
to it, so this will work better. The long program (Turandot)
is classical. When I get stressed out I try to do the moves
slower, and that helps me stay relaxed. The short program
is so intense while the long offers possibilities to conserve
energy in some places. The gala program is to “Memoirs
of a Geisha”. Salomé Brunner suggested it for
my long program, but we found out there were other skaters
using it so we turned it into an exhibition number. That program
is a bit different.
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We saw it at Nationals
and it’s beautiful. Now, with Europeans coming
up you’ve been in the lime light a lot, how many
interviews have you done? How do you feel about getting so much attention?
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Do you ever have time to just be Lina the person,
and not Lina the skater?
Well, during Christmas we often ended practice a bit earlier,
which gave me time to be with my friends, we did things together
all the time. So yes, I was able to be just me and not think
that much about skating. Of course I’m fully concentrated
at practice, but it was over around 2 pm. Sometimes I need
to do other things and skating has a way of staying in my
head. Like when I’m relaxing in a tanning booth I visualize
performing my program, and it’s always perfect! *laughs*
Even if there’s music in the booth I only hear the music
to my program.
Do you hear the applause too?
Aah, no actually, I usually don’t. *giggles*
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Do you have a favorite hang out in Malmö?
It’s not a huge city so when I’m off I go shopping
with my friends and then we might drop into the Espresso House
and just sit there and talk and relax. It’s nice to
get out sometimes because I usually just go home between practice
sessions.
A few years ago you said you don’t get nervous
at competitions. How will you get back to that?
I try to think of different things, but I don’t really
know what I did back then, if I did anything, it just worked!
A competition was like no big deal. Like the Junior Grand
prix Final in December of 2003. I was so calm and I couldn’t
wait to get out there and show everyone what I could do. I
knew many in the audience were rooting for me, they wanted
me to succeed! And I wanted to show them I could do it. I
felt calm, like hey, I can do this, I am doing it, and I enjoyed
every second. I was a little tense before the long program
but that all went away after the second jump as everything
came together, it felt so good! But it was a wonderful relief
when it was over and the audience was screaming. The best
part was being received by Hanna and everyone, she cried so
hard!

Does she usually go to competitions with you?
She’s been to Nationals and she came to Karl Schäfer.
What kind of pep talk do you get before you start
a program?
I have two coaches, Ela Magnusson and Laco Vince. Laco is
very calm but Ela gets nervous, I noticed that at the JGPF.
I was first after the short program and Laco kind of took
over after the warm up before the long. He just smiled and
chit chatted as usual, totally calm. Ela gets nervous for
all her students so she and Laco go very well together. If
he’s nervous too it sure doesn’t show. But being
a coach must be so hard, they can only say a few things before
the skate but not really do anything. The performance is up
to the skater.
What do you want to hear before
you get on the ice? |
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And hold your spin positions and your spirals! Do
like Shizuka and say “One ice cream, two ice creams…”
and you’ll make the two revolutions.
She does that? That’s awesome. When I spin I don’t
have time to think about how many revolutions I do. I listen
for the specific part of the music telling me to move on.
In the long program there’s a bit of time to improvise,
but not in the short. Even if I’m behind I have to get
out of the spin and move on to the spiral sequence. And if
I count 3 or 4 seconds, Ela and the judges have only counted
2, so I try to rely on the music and the distance instead.
But if it’s only been 2 seconds and I’m already
close to crashing into the boards… There’s so
much to keep track of!
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Lina is so right about that, but she has a good head on her shoulders and we have no doubt she’ll sort out all the technicalities. Before we part she answers a few fun things: Morning or night |
Good luck at Europeans, Lina! And remember, one thing at the time!
We also welcome Lina to the Absolute Skating family of
official skater websites.
Read
more about her and see fabulous photos and videos here